Maxine Lewis has used patchwork assessment to make assessment both more engaging and more inclusive. With help and scaffolding, she gave her class (fourteen students) the chance to design their own assessment topics, while choosing from a wide variety of formats in which they could present their learning. Students’ completion rates and reports on their experience showed that this learner-centred pedagogy empowered them and led to continuous and deep learning.
What is patchwork assessment?
Patchwork assessment includes core elements. When completing a course that uses patchwork assessment, throughout the semester, students will:
- Complete multiple, evenly staggered assessments, termed ‘patches’ (often relatively small in weight and size)
- Choose from a selection of patches, or design patches, or both
- Share their patchwork with their peers (usually formatively, can also be summatively)
- Receive feedback from instructor(s) during the patchwork process
- Formally reflect on their learning, including their assessments (this can be a single ‘final reflection’, or a series of reflections throughout).
Through this process, each student creates their own unique patchwork quilt of assessments.
Teachers can build in more or less choice, can make certain skills or topics compulsory within the patchwork, and can decide which formats in which to assess student learning.
Example patch options
- A. Creative response in English
- B. Creative response in Latin
- C. Research bibliography
- D. Commentary
- E. Translation/reception analysis
- F. Oral presentation in English (video)
- G. Oral presentation in Latin (video)
- H. The 8th patch option was “Choose your own format, in agreement with the lecturer”
In her 2021 senior Latin course, Maxine chose a high-choice and high-autonomy framework to assess students’ learning about a Roman poet. All students had to complete four patches of equal weight (25%). For the first three patches, students had eight formats from which to pick. The eighth topic was “Choose your own format (in agreement with Maxine)”, a wildcard option that gave students freedom to create a bespoke format. Students used this to complete varied patches, including an essay, Latin translations of Taylor Swift lyrics, and a Latin re-telling of a Greek myth with a modern feminist spin.
Students had to choose their own topic for each of their first three patches. They came up with topics through the course syllabus, group brainstorming sessions, an online course platform, and mentoring sessions with Maxine in office hours. This level of choice encouraged students to engage personally with course content and generated deep learning, as each student chose their own journey through a broad field of knowledge. Students had the opportunity to bring their whole selves to the material, choosing topics that related to them culturally.
The high level of autonomy also allowed students to select which skills they would prioritise in their assessments. All the skills across the set formats – including formal academic writing, primary source analysis, high-level independent research, creative writing in Latin, and oral presentations – have academic value in the discipline. Conversely, no course could formally assess all the skills. The high-choice framework thus gave students the right – and responsibility – to select which ones mattered the most to them. This framework gave students with health conditions or disabilities control over what formats their assessments would take, fostering inclusivity.
Students had the option to share their work on the online platforms Padlet and many did. The course Padlet thus served as an online repository for exemplar assessments as the course proceeded. Students gave feedback and received comments on their own work through this platform.
All students completed a final written reflection, serving as the fourth 25% patch.
To ensure rigorous, transparent and fair marking, students received detailed rubrics for each patch prior to completing them. The cohort spanned students at stage II, III and Honours. To assess each student at the appropriate level, the rubric for each patch type specified the work count or time limit, expectation of using scholarship, skills required, and criteria for each grade level.
Examples
Example patch options - Stage II
Patch option | Type | Format | Language | Parameter, including word count | Requires explicit engagement with or use of scholarship | Weighting |
---|---|---|---|---|---|---|
A | Creative response | Written file submission | English | Write a creative response to an element of Catullus’ poetry or persona of approximately 1,200 words. | No | 25% |
B | Creative response | Written file submission | English | Write a creative response to an element of Catullus’ poetry or persona of approximately 800 words. | No | 25% |
C | Research bibliography | Written file submission | English | Find 5 pieces of scholarly, peer-reviewed research on Catullus’ poetry. Write a 100-word summary (approximate) of what you learned from each reading, then write a 500-word discussion comparing your interpretation of Catullus’ poems to the views of your chosen scholars. | Yes | 25% |
D | Commentary | Written file submission | English | Write a scholarly commentary on one-two poems of Catullus. 1,200 words. | Yes | 25% |
E | Translation/reception analysis | Written file submission | English | Choose a response to Catullus (e.g., a translation, adaptation, novelization, etc), and analyze how the response makes use of Catullus’ original work. 1,200 words | Yes | 25% |
F | Oral presentation | Oral presentation delivered live in class OR pre-filmed video watched in class | English | Create a deliver a 10-minute presentation on any of the following: Catullus’ use of language, styles, themes, role in Latin literature, responses to by later people, ways of translating. | Yes | 25% |
G | Oral presentation | Pre-filmed video watching in class. Upload link to video or upload video file | Latin | Create a deliver a 5-minute presentation on any of the following: Catullus’ use of language, styles, themes, role in Latin literature, responses to by later people, ways of translating. | Yes | 25% |
H | Choose your own task (by agreement with lecturer) | As agreed with Maxine | English and/or Latin as agreed with Maxine | As agreed with Maxine | As agreed with Maxine | 25% |
I
This patch is compulsory for all students |
Final reflection | Written file submission | English | Write a reflection on your learning experiences this semester. Your reflection should engage with your specific patches and should demonstrate how your knowledge of and understanding of Catullus has grown and/or changed. 1,000 words. | Yes | 25% |
Note. Example of patchwork assessment for stage II Latin. Credit: Maxine Lewis, the University of Auckland.
Example patch options - Stage III
Patch option | Type | Format | Language | Parameter, including word count | Requires explicit engagement with or use of scholarship | Weighting |
---|---|---|---|---|---|---|
A | Creative response | Written file submission | English | Write a creative response to an element of Catullus’ poetry or persona of approximately 1,500 words. | No | 25% |
B | Creative response | Written file submission | Latin | Write a creative response to an element of Catullus’ poetry or persona of approximately 1,000 words. | No | 25% |
C | Research bibliography | Written file submission | English | Find 6 pieces of scholarly, peer-reviewed research on Catullus’ poetry. Write a 100-word summary (approximate) of what you learned from each reading, then write a 500-word discussion comparing your interpretation of Catullus’ poems to the views of your chosen scholars. | Yes | 25% |
D | Commentary | Written file submission | English | Write a scholarly commentary on one-two poems of Catullus. 1,400 words. | Yes | 25% |
E | Translation/reception analysis | Written file submission | English | Choose a response to Catullus (e.g., a translation, adaptation, novelization, etc), and analyze how the response makes use of Catullus’ original work. 1,400 words | Yes | 25% |
F | Oral presentation | Oral presentation delivered live in class OR pre-filmed video watched in class | English | Create a deliver a 12-minute presentation on any of the following: Catullus’ use of language, styles, themes, role in Latin literature, responses to by later people, ways of translating. | Yes | 25% |
G | Oral presentation | Pre-filmed video watching in class. Upload link to video or upload video file | Latin | Create a deliver a 6-minute presentation on any of the following: Catullus’ use of language, styles, themes, role in Latin literature, responses to by later people, ways of translating. | Yes | 25% |
H | Choose your own task (by agreement with lecturer) | As agreed with Maxine | English and/or Latin as agreed with Maxine | As agreed with Maxine | As agreed with Maxine | 25% |
I
This patch is compulsory for all students |
Final reflection | Written file submission | English | Write a reflection on your learning experiences this semester. Your reflection should engage with your specific patches and should demonstrate how your knowledge of and understanding of Catullus has grown and/or changed. 1,200 words. | Yes | 25% |
Note. Example of patchwork assessment for stage III Latin. Credit: Maxine Lewis, the University of Auckland.
Example rubrics
Please feel free to download and adapt these rubrics. They are licensed as: Creative Commons Attribution Non-Commercial Share Alike
Considerations
On workload
The topic for this course is one of Maxine’s research specialities. This meant that she already knew the primary sources and secondary scholarship, and did not have to prepare to mark any of the patches by conducting any further reading. She recommends that teachers interested in adopting this type of high-choice, student-led form of patchwork choose one of their own research fields as the course topic, or select material that they have taught and are very familiar with. When teaching topics outside her research expertise, Maxine has used patchwork assessment but provided fewer choices of topic, to limit the amount of preparation needed for marking.
On marking
Overall, Maxine found the marking enjoyable, because there was so much variety and the quality was high overall. The variety lessened marking fatigue and made some marking quicker. Many patches generally required the same amount of time to mark as assessments in previous years teaching the course. Bespoke, “choose your own format” patches did take additional time to generate a rubric for each and then mark.
On academic integrity
A passion to see all students thrive and succeed led Maxine to adopt patchwork assessment. However, a pragmatic side benefit arose. Because students had to design each patch and complete a final reflection on their learning journey, the assessment scheme ensured a high level of academic integrity. Firstly, removing any exam component eliminated the possibility that students would cheat in online, non-invigilated exams. Second, because each student had to construct their own assessments and reflect on them, the patches clearly related to each individual student. This made it difficult, if not impossible, for students to use a contract cheating service to produce rote or standardised coursework.
If you’d like to chat about implementing patchwork assessment in your courses, contact Maxine Lewis: maxine.lewis@auckland.ac.nz
You may also like
Effective ways to keep students motivated
Dr Nigel Gearing reminds us of a few simple steps to enhance teaching and course design that can help alleviate the phenomenon of student disengagement.
Alternative assessment for inclusive teaching
Discover how Associate Professor Alice Mills (Criminology) is transforming assessments in her large undergraduate courses to better support students with learning impairments.
Constructive Failure story: When ‘hands-off’ becomes too hands-off
In the latest tale from our Constructive Failure series, we explore a teacher’s experiment with student autonomy, testing the limits of self-directed learning in higher education.
Supporting students’ intrinsic motivation through enabling choice in DANCE 101G assessments
Alys Longley provides choice and authenticity in assessment for DANCE 101 in order to engage students’ intrinsic motivation and interest.
Student choice in Law assignments: quiz design as assessment
Jayden Houghton introduced student choice into his Law course assessments through having them create quizzes to support their fellow students.
Student choice in Microbiology assignments
In the course, Principles of Microbiology, Dr Kathryn Jones provides students with a choice of essay topics for a writing assignment.
Further reading
Arnold, Lydia, Tim Williams, and Kevin Thompson. “Advancing the Patchwork Text: The Development of Patchwork Media Approaches.” The International Journal of Learning 16, no. 5 (2009): 151-166.
Gandhi, Sarla. “Confessions of an accidental inclusivist.” In Equality and Diversity in Learning and Teaching in Higher Education: Papers from Equality Challenge Unit and Higher Education Academy Joint Conferences, edited by Pauline Hanesworth, 54-69. London and York: Equality Challenge Unit and Higher Education Academy, 2016.
Ovens, Peter. “A Patchwork Text Approach to Assessment in Teacher Education.” Teaching in Higher Education 8, no. 4 (2003): 545-562. doi:10.1080/1356251032000117625.
Parker, Jan. “The patchwork text in teaching Greek Tragedy.” Innovations in Education and Teaching International 40, no. 2 (2003): 180-193.
Scoggins, Jane, and Richard Winter. “The Patchwork Text: a coursework format for education as critical understanding.” Teaching in Higher Education 4, no. 4 (1999): 485-499.
Smith, Lesley, and Richard Winter. “Applied epistemology for community nurses: evaluating the impact of the patchwork text.” Innovations in education and teaching international 40, no. 2 (2003): 161-173.
Trevelyan, Rose, and Ann Wilson. “Using patchwork texts in assessment: clarifying and categorising choices in their use.” Assessment & Evaluation in Higher Education 37, no. 4 (2012): 487-498.
Warwick University. “Patchwork assessment.” Updated January 3, 2020. https://warwick.ac.uk/fac/cross_fac/academic-development/assessmentdesign/methods/patchwork/
Winter, Richard. “Contextualizing the patchwork text: addressing problems of coursework assessment in higher education.” Innovations in Education and Teaching International 40, no. 2 (2003): 112-122.